May 14th, 2004
In Love with Lancia's Italian Blemishes
A pioneer of the automotive industry has difficulty managing its history and
heritage
 |
Lancia will turn 100 in 2006, having spent the first half of its life under family
ownership, part of its second under Italian financier Carlo Pesenti, and
35 years under Fiat.
As Fiat's financial woes are relieved slightly, what is next for the once
great Italian marque? |
Our Favorite Lancias of Old

Lancia Aprilia (1937-1949)

Lancia Aurelia (1950)

Lancia Fulvia (1964-1972)

Lancia Stratos (1970; prod. 1974-1978)
combination of the lively V-6 engine with the car's
curb weight of only 2,155 lbs. yields exceptional results - style by
Bertone |
Lancia's first sixty or so
years gave the world the first production car with an integrated
electrical system;
the first V6, independent front suspension, monocoque
construction, overhead camshaft, flexible engine mounts, and aluminum
engine block;
the first car (debatably) to recognize the importance of aerodynamics;
the first car to be badged Gran Turismo,
and gave Italy its first front-wheel-drive car |
Our Favorite Modern Lancias
luxury & charming,
blemished flair

Lancia Monte Carlo (1975-1982)
120hp 1995cc mid-engined, Pininfarina-styled coupé.
The U.S. got a 1756cc version badged Scorpion, which Motor Trend
called "one of the wildest-looking cars to hit our shores in some
time."

Lancia Trevi dashboard (early '80s)
Trevi replaced Beta, featuring an eclectic interior
and a Roots-type supercharger

Lancia Delta Integrale (1988)
still one of the most sought-after performance cars
ever produced

Lancia Zagato Hyena (1992)
based on the Delta Integrale, offering carbonfiber,
aluminum, and conventional steel bodies

Lancia Kappa Coupé (1996)

Lancia Thesis (current)
 |
Lancia luxury, performance, and charmingly blemished flair, today: In the early '80s, the
other-wordly organization of the Lancia Trevi's cockpit was positively
unique. The Italians had found a way of disguising their traditionally
challenging, scattered ergonomics with a style that was entirely unique.
The '96 Kappa Coupé
exaggerated Lancia's traditional, long rear overhang to produce a fairly
compromised effect. Yet it was different: heavily sculpted with a
more tame form that stayed true to the short front and relatively massive
overhang of the Lancia GT tradition. Moreover, it remains a favorite of
our Editor (who will regularly lament to anyone within hearing
range that the car was never available in the U.S).
Lancia's current flagship
model, the Thesis, features an intricacy in its front and rear fascias
that rivals the best of any manufacturer's detailing efforts in - and
above - its class.
The dishomogeneity between fascias and flanks, however, lets the exercise down. Financial constrictions
within Fiat are likely to blame |

Lancia Nea Concept (2000),
which influenced Lancia's current Ypsilon

Lancia Nea Concept (2000)

Lancia Ypsilon (current)

 |
Lancia
luxury, today:
the company's
little
Ypsilon belies its size in offering rather welcome curves for
its short wheelbase.
Lancia offers a variety of color and fabric options with the
Ypsilon,
claiming that traditional Italian amenities should not be alien to this
class. Indeed, as with its
Augusta of 1932, the Lancia of seventy years later remains
convinced that luxury continues to have a place in the small-car market |
Blemished Modern Lancias

Lancia Lybra (current)
 |
Lancia blemishes, today:
the
Lybra is stylistically still more
compromised than its larger sibling, Thesis.
The rounder front and rear fascias might appear to lend themselves better
to the more rounded flanks apparently dictated by Fiat sheet metal. Here,
however, the flanks just seem old, a feeling
emphasized by a humdrum roofline which offers nothing new.
Moreover, the equality between the front and rear overhangs are likely
dictated by Fiat packaging; this is not traditional Lancia styling |
 |
Lancia blemishes, today:
Replacing the Zeta (a first-generation
product of a PSA-Fiat Auto minivan alliance), the
Phedra is a
second-generation re-skin of the Citroen C8/ Peugeot 807/ Fiat Ulysse
produced by the same, continued, corporate game.
Zeta sold just 1,764 units in 2001, demonstrating not only European
ambivalence toward the full-size minivans that are so popular in the U.S,
but also its difficulty in supporting its badge.
Phedra is somewhat more comfortable in its skin than was Zeta, but its Lancia heritage remains
peripheral: mildly edgy surfacing; two door handles which stand side-by-side on each flank
(recalling the '50s Aurelia), and a flank line that tapers downward at
front and rear |
Missed Opportunities

Italdesign Lancia Megagamma Concept
(1978)

Sbarro Ionos Concept (1997)
Franco Sbarro's revitalized Lancia Stratos


Lancia Granturismo Concept (2002)


Lancia Fulvia Concept (2003)
 |
The
Italdesign Lancia
Megagamma Concept of 1978 looks so old, now, but was in fact the first
surfacing of the minivan as we know it today: front-wheel-drive and space
efficient (albeit minus the sliding doors). All this... five years before
Lee Iacocca would face the strobes of reporters' camera flashes in
launching the Plymouth Voyager and Dodge Caravan that saved his company.
Lancia missed a trick in 1997, when it failed to pick up the
Sbarro Ionos
Concept. For his latest project, 70-year-old Italian Franco Sbarro had
joined two Lancia Kappa five-cylinder engines to create a V10-engined
monster with the 'crash helmet' profile of the old Stratos.
The Granturismo Concept of 2002 featured Lancia's upright styling, with
relatively shorter front overhangs as compared to the longer rear. The
window-line curved upward; the beltline downward, to create a sense of
flow and yet recall, on average, Lancia's horizontal waterline.
Finally, it would be a true pity if the
Fulvia Concept of 2003 were not
built. It has stirred up more feelings for Lancia than have been expressed
in years |
We received an e-mail
recently from an avowed Lancista who pointed out, quite
correctly, that a site which purports to focus on history and
heritage should have done a piece on Lancia by now.
Certainly, Lancia has
been one of the true pioneers of the industry, despite having fallen on troubled
times in recent years. Lancia's innovations alone could fill a book;
so, too, could its racing heritage and the troubles it has faced.
In the interest of doing
our part to support the ongoing recovery effort, however, we present
our hypotheses and theories on the past, present, and future of the
great Italian marque.
It is all too brief, but
we agree with the aforementioned reader that our stance on the
industry makes a piece on Lancia virtually mandatory. After all, as we have
suggested several times, we strongly believe that looking forward
requires an eye on the rearview mirror in order to provide the
contemporary automotive market with unique, profitable products.
That said, one wonders
how familiar our largely domestic readers might be with a marque
that was last seen on these shores in 1982, offering the
Zagato
targa-topped coupé.
Yet a cursory walk
through car shows around the country and a few searches across the
'net show that love for Lancia is still alive in America - and, in
the tradition of legendary badges, is disproportionate to the actual
number of Lancias sold here.
So we begin.
Lancia dates back
to 1906, almost one hundred years ago.
Vincenzo Lancia had been
a bookkeeper for a company which was bought out by Fiat (which,
ironically, would vie for control of his own, future company 70
years later).
After a year as Fiat
head inspector, and several years in Fiat's racing program,
25-year-old Vincenzo set up shop in Turin with associate Claudio
Fogolin: Lancia e Cia, Fabbrica
Automobili.
At the time, metal
(often aluminum but more importantly steel) had barely began to
replace wood as the material of choice for building automobiles.
This was critical in pushing their design away from the established aesthetic of the
horseless carriage.
What defines Lancia, and
propels its continued mystique even through troubled times? We
submit the following:
-
innovation borne out of
a desire for elegant simplicity
(bookmark);
-
luxury
(bookmark),
-
and Italian flair in
style and performance, with a few requisite, charming blemishes
(bookmark).
This is a company for
whom the above points have managed to overcome prior tragedy.
Indeed, some have suggested that tragedies within Lancia have
augmented its mystique over the years. At some point, however, the marque began a downfall from which it is still recovering.
-
What in Lancia's history
has led us to expect these characteristics from the marque?
-
How
successful has the company been at maintaining them?
-
Moreover, is
adhering to them a viable option in Lancia's recovery?
Our conclusions are
presented toward the close of this page: Profitably Preserving
Lancia's Mystique
(bookmark).
Innovation
borne out of a desire for elegant Simplicity
As far back as 1908,
Lancia was different. Its first car, the 2543cc, four-cylinder
Alpha,
was shown at the Turin Motor Show in 1908, featuring a high-revving
engine and patented oil lubrication system (along with what
carsfromitaly.com describes as an "unusual carburetor").
The
Beta, Gamma, Delta, Epsilon,
and Eta
followed, with the ensuing Zeta
featuring its gearbox and differential as one unit on the rear axle
for better weight distribution.
In 1913, the
Thema
debuted as the first production car with an integrated electrical system.
"In 1914," writes
Penny Sparke in A Century of Car Design (Octopus, 2002),
"the American car manufacturer Dodge created an all-metal car, which
was quickly emulated elsewhere."
Lancia would add its own
innovative variant to the mix:
"across the Atlantic,
the Italian maker Lancia created an all-steel car body in 1918."
Four years later, the
1922 Lancia Lambda
would be the first production vehicle to, as Paul Velacott wrote for
the Australian Lancia Register, August 2002, "incorporate independent front
suspension, monocoque construction, an aluminum engine block,...
(and) an overhead camshaft." In 1924, the
Lambda
packed the world's first V6 engine. Few others took note until the
configuration was reintroduced in the
Aurelia
twenty-five years later.
The
Artena
followed, and the Astura
which derived from it would pioneer the use of flexible engine mounts.
Vincenzo Lancia, Sparke
goes on to note, launched the unibody
Augusta
sedan in 1932, and the
similarly unitary
Aprilia in 1937. The significance of Lancia's contribution
to monocoque construction cannot be understated; "the unitary car
instigated a revolution in car design," writes Sparke,
adding,
"for the first time,
a car could really be thought of and conceived from the outset, as a
single visual entity."
Aprilia
also had all-around independent suspension, and a rather
distinctive, narrow-angle 1352cc 47hp V4. It boasted a drag coefficient of
0.47, thanks to work in the Turin Polytechnic wind tunnel.
In 1950, yet another
great Lancia was launched: the
Aurelia, which boasted the world's
first production V6 engine (a 56hp, 1754cc 60-degree unit dubbed
B10). In later,
1991cc B20 GT form, the
Aurelia became the first
car to be called "Gran Turismo."
"Everything about
this machine is quick, compact, positive, practical, and ingenious,"
wrote John Bentley of the Aurelia
GT in Auto
Speed and Sport.
More power
followed the Aurelia over the eight years it remained in production, until - as
it approached 90hp - the independent rear suspension was thrown out in favor of
a simpler De Dion suspension layout. This layout would continue well into the
mid-1960s with the Flaminia.
The
1960 Lancia Flavia
was the first Italian production car with front-wheel-drive. Styled
in-house under Dr. Antonio Fessia, the
Flavia
featured split-circuit hydraulic brakes with all-around discs. It
was followed by the Fulvia,
which replaced the Appia
in 1964. By 1967, Kugelfischer fuel injection (of
BMW 2002tii
fame) would become standard
in the Fulvia.
In 1970, thoughts that
perhaps all of this might be
starting to sound like an Italian Citroën were starting to take
form. The
French marque itself saw the connection, and attempted co-operation
with Lancia. By the 1976 Geneva Motor Show,
unfortunately, the project had fallen through and the
Gamma
presented was a thoroughly Lancia project (Pininfarina style and
Fiat mechanicals aside; Fiat had been in control of Lancia for seven
years).
Italdesign's 1978 work with
Lancia may lay claim to the first minivan design (as we know it), the
'78 Lancia Megagamma Concept.
(return to list)
Luxury
The
Dilambda
of 1922 was Lancia's first luxury vehicle. The early
'50s Aurelia B20 GT
was the first car to be labeled, Gran Turismo, in a supreme
combination of Italian amenities and vitality,
Large-scale luxury was
not Lancia's only focus. The
Augusta
of the 1930s was the first compact Lancia to attempt to provide
luxury. The company continues to take
the view even today that luxury has a place in the small-car market.
Its little Fiat Panda-based
Ypsilon
arrived in 2003, offering unlikely yet well-executed curves on a
tiny wheelbase, and a variety of color and fabric options.
(return to list)
Italian Flair in Style and
Performance, with a few Requisite, Charming Blemishes.
Call them dimples,
perhaps, but they make the
Lamborghini Murciélago
too geometric to be truly Italian (as Automobile's Robert
Cumberford once notes), and yet made its
Diablo
predecessor so appealing.
In 1928, three Lancias
entered the Mille Miglia race, one of which finished third.
Lancia's Aurelia
is recognized as one of the great collector cars, and was designed
in house by Gianni Lancia and Vittorio Jano (formerly of Alfa
Romeo). 1951 saw the
Aurelia competing in motorsport, achieving "many successes, especially at
the expense of Alfa Romeo," notes
carsfromitaly.com. That year, Lancia
averaged 82.14mph in the Le Mans race, winning its class.
In 1953, Fangio
(averaging 105,73mph), Taruffi, and Castelloti pulled off a 1, 2,
and 3 with Lancia's new 3-liter V6 in the Carrera Panamericana. A
2.5-liter Lancia won its class at Le Mans, and the 1953
Liege-Rome-Liege rally.
In 1954, Lancia won Le
Mans again.
Look no further than the
Aprilia and the
Aurelia to see Lancia's strong relationship to
Italy's carrozzerie. Lancia built 7,554
Aprilia and 778
Aurelia chassis for use by
Allemano, Bertone, Boeschi, Castagna, Ghia, Pininfarina, Stabilimenti Farina, Touring, Vignale, Viotti,
and Zagato
(source:
carsfromitaly.com).
When ownership of Lancia
transferred to Carlo Pesenti, Vittorio Jano was replaced by Dr.
Antonio Fessia (of Fiat Topolino fame) and Pininfarina began styling
Lancia's cars.
Even under Fiat
ownership, Lancia has been good for the carrozzerie. Bertone
designed the famous
1970 Lancia Stratos.
By 1978, the Stratos - which began production in 1974 yet had
already been rallying for two years in prototype form - had won
fourteen World Rally Championship events and 68 other international
races
(source:
Standard Catalog of Imported Cars, 1946-2002, Mike
Covello, Krause, 2002).
Unfortunately, Bertone's
fate has been somewhat tied to Fiat's; since the great Nuccio
Bertone died, the company has had an ever more difficult time.
Cash-strapped Fiat recently elected not to replace the Bertone-built Punto
convertible for the latest Punto generation.
In October 1987, one of
the greatest performance machines ever created was launched: the
Giugiaro-designed
Lancia Delta Integrale. The driving position was terrible, but the
car was pure magic. CAR immediately put it on its
prestigious '10 Best' list in 1988. The
Delta Integrale went on to win five
successive Rally World Championships.
(return to list)
Profitably Preserving
Lancia's Mystique
As an enthusiast
organization,
we cannot but assert that the heading of this conclusion is a little
redundant: profit and 'preserving Lancia's mystique' are one
and the same goal.
Difficulty Peppered Commercial &
Racing Success
Lancia's contemporary
success has been commercial when its cars have been at their most
innovative, and racing-based when commercial operations have
permitted it. The company is so steeped in innovation that its
achievement is inextricable from its contribution to the industry.
Lambda
was Lancia's first real success, with a nine-year production close
to 13,000. Aprilia
marked its second, moving 14,704 cars from 1939 to 1949.
Aurelia
was a third, with 12,786 sedans produced in five years, along with
3,871 coupés and 761 convertibles through 1958.
Fulvia
was its greatest modern success story, with over 359,000 built from
1963-1976
(source:
Standard Catalog of Imported Cars, 1946-2002, Mike
Covello, Krause, 2002).
Between 1988 and 1989,
the
Lancia Delta Integrale took 14 world championship wins
- famously trouncing
Audi's Quattro. Driver
Miki Biasion won two world drivers' titles, and would bring home the
constructors championship for Lancia.
Between 1970 and 1992,
Lancia won eleven World Rally Championship titles - more than
any other manufacturer (even today). Conspiracy theorists continue
to suggest that Fiat's take-over of Alfa Romeo in 1987 relegated
Lancia to second-best as a sporting brand. Indeed, there may well be
some truth to this in the current organization of Fiat, as we shall
see.
Conspiracy or not, such
difficulty is not alien to Lancia. Despite early commercial
successes, and later superlative performances in racing, Lancia's
mystique has been ever-punctuated - and perhaps amplified - by first
tragedy and then, in recent years, difficulty.
The company's first car in 1907 was destroyed
by fire. Vincenzo Lancia, its founder, never saw the superlative
Aprilia
go into production; the great man died in February 1937 of a
heart attack. His wife and son, Gianni, sold their holdings to
Italian financier Carlo Pesenti in 1955.
Paradoxically, despite
Aurelia's
power increases, Lancia lost money at such an alarming rate that it
was forced to pull its racing challenger out of motorsport in
1955.
Lancia's pull-out from
the UK market in 1993 was such a tragic paradox because, up until
the mid-1950s, the vast majority of Lancias had been
right-hand-drive.
Lancia missed a trick in
1997, when it failed to pick up the
Sbarro Ionos Concept.
For his latest project, 70-year-old Italian Franco Sbarro had joined two
Lancia Kappa
five-cylinder engines to make what Chris Rees refers to as "an
upturned V10 layout" within a "crash helmet" window
profile (Concept Cars, Chris Rees, Barnes & Noble, 2000).
The modern Lancia's worst years -
2001 and 2002
Lancia sales declined
13.7% in Western Europe during 2001. By the Spring of 2002,
there were only two Lancia models on sale: the little
Y,
which was aging at a particularly rapid rate, and the Lybra
sedan and station wagon. Phedra
and
Thesis
had been delayed, and
the company was looking ever more fragile. 2002 went on to be Fiat
Auto's worst year since 1993, with fewer than 2 million units sold
overall.
The brand's poorest
seller in 2001? The
Zeta
full-size minivan, at 1,764 units.
Zeta
is a rebadged version of the corporate decision between PSA-Fiat
Auto to produce the
Zeta
alongside
Citroën's Evasion/ Synergie, Peugeot's
806, and
Fiat's Ulysse
at a joint-plant in France. These vans are the closest thing to
corporate consolidation that has been seen in Europe, and are
thoroughly reminiscent of the General Motors decision under Ron
Zarella to produce a misguided Oldsmobile
(Silhouette)
version of the unremarkable GM minivan set
(article: 'Why Oldsmobile did not have to die').
The
Silhouette
soldiered on for a second generation;
Zeta,
too, has been transformed into the second-generation
Phedra.
Phedra
is somewhat more comfortable in its skin than was
Zeta,
but its Lancia heritage remains peripheral: mildly edgy surfacing;
two door handles which stand side-by-side on each flank (recalling
the '50s Aurelia),
and a flank line that tapers downward at front and rear.
Regardless, there is no
apparent need for this model, nor does it do anything for the Lancia
brand. Like Jaguar's X-Type
and Mercedes-Benz's Sport Coupé,
Phedra was born
out of a desire to fill a market niche with a profitable brand
without concern for the long-term ramifications. There is a great
difference between charmingly blemished, and being
expediently so; vehicles such as
Phedra
and even the Lybra
sedan and wagon lean too excessively toward the latter end of the
spectrum to be considered true Lancias, as their expediency creates
merely peripheral identity.
How has Lancia been doing
recently?
The brand remains
viable; for March 2004, Lancia was up a whole 222% in Greece - of
all places - over March 2003, largely on the strength of the new
Ypsilon.
How has Lancia been
doing recently? Better - Fiat Auto halved its
operating loss through the first quarter of 2004 (to £106 million)
compared to the same period in 2003, the Birmingham Post and Mail
reported this past Wednesday.
2003 itself was a much
better year for Fiat Auto. Group net loss narrowed in 2003 to 1.9
billion euros ($2.3 billion), of which Fiat Auto's portion was 979
million euros, compared with a loss of 4.3 billion euros in 2002. In
January 2004, Fiat Auto's share of the Italian market was up to
30.9%, and the group fully expects to break even at the end of this
year.
Indeed,
Lancia's Ypsilon
(and Fiat's brilliant new Panda,
which earned the European Car of the Year 2004 award) pulled
worldwide Fiat Auto sales
up 11.7% year-on-year in the first quarter of 2004.
This is remarkable
performance considering the difficulties Lancia found itself in just
three years ago. As the Fiat Group, whose last carmaking profit was
in 1997, recovers, attention will inevitably turn to what should be
done with Lancia.
The modern Lancia under Fiat
Both Lancisti we
have talked to, and ourselves here at AutomoBear, would love
to see Alfa Romeo-based Lancias.
It will not happen - at
least, not any time soon.
Indeed, any
Lancisti thoughts that the company might share parts with Alfa
Romeo were effectively killed in January of 2002 when then-Fiat CEO
Giancarlo Boschetti split
Fiat Auto up into five categories: Fiat/Lancia/Light Commercial
Vehicles, Alfa Romeo, International Developments, Consumer Services,
and Aftersales.
Alfa Romeo, evidently,
is in a category of its own for the foreseeable future.
Do Fiat
ownership and Fiat underpinnings necessarily mean that Lancia cannot flourish? Of course
not; to suggest otherwise would be a classic case of the post hoc,
ergo propter hoc fallacy.
Fiat began making
gestures toward Lancia enthusiasts in 1972, three years after taking
ownership of the company. Greek names made an appearance in the
Lancia range for the first time since 1929 when the new
front-wheel-drive
Beta
fastback sedan debuted at the '72 Turin Motor Show.
Beta was
cautiously received, and not perfect, but its Fiat underpinnings
were only partly responsible.
The
1988 Delta Integrale
that is still so fondly remembered and prized was based on the
Delta
(European Car of the Year, 1984), which arose from a humble
Fiat Ritmo.
Moreover, Lancia's
latest Fulvia Concept
was based on the Fiat Barchetta,
yet managed to look convincingly like a refreshed version of the
great originals of the '60s and '70s.
With its older models
increasingly being pushed out, Fiat is able to sell its cars closer
to MSRP - which can only be positive for Lancia's inherent premium
positioning.
Lancia's Ypsilon
has been largely responsible for not only Fiat Auto's sales increase, but for a rise in average unit price after a
torrid 1.5% drop from October through February (as recently reported
by the Italian automotive research organization Promotor).
How should Lancia be
nurtured to maintain its promise of profitability?
In 1998, Mike Robinson - who has claimed to have wanted to design Lancias since he was 16 - was made head designer for the
manufacturer. Robinson designed the brilliant
Dialogos Concept
(which became the current Thesis
flagship), demonstrating an avid understanding of Lancia design.
Fiat underpinnings or
not, it is absolutely critical that Lancia be given as free reign
with its designs as possible.
One year and a half ago,
then-Fiat CEO Giancarlo Boschetti told Automotive News,
November 18th, 2002, "For every $100 we are going to invest in Fiat,
we will invest $25 in Lancia and in return will get a truly Lancia
product.
"I'm
very happy because this means we are getting very good products for
Lancia in an extremely cost-effective way."
There is, we submit,
room within that 25% to ensure that each Lancia adheres to the
following visual criteria:
-
longer front overhangs
than Lancia's promise of performance might dictate (see even Franco
Sbarro's sporty
1997 Stratos Concept);
-
longer rear overhangs
with respect to the front (critical to Lancia's elegant body lines);
-
a waterline parallel to
the ground (if 'averaged,' as in the case of the
2002 Granturismo
Concept),
-
and upright frontal
fascias, with the architectural cues their Baroque stance implies
(see Thesis).
As we noted in
Bear in Review 2003/4,
design has become a key differentiator - and, as demonstrated by the
Dialogos Concept,
Lancia has the in-house ability (and a working history with the
carrozzerie) to play this game as well as anyone else.
Lancia UK Club President
Paul Baker recently suggested that a Mercedes executive had told him
that the "Germans were genuinely amazed by the continuing poor
marketing of the Thesis,
which they might otherwise take seriously as a rival."
The
Fulvia of 1964 was
the last fully Lancia-designed Lancia. Coupes and sedans were
produced. Last year, the company showed a Fulvia Concept
at Geneva, generating more press than has been
granted to it in years. Based on the Fiat Barchetta,
it absolutely must be built.
For more substantive,
technological innovation worthy of Lancia's innovation, we're
encouraged by Fiat's discovery of multiplexing - and permit us, dear
reader, to now launch into a more outlandish discussion...
The Lancia Equivalent of the
"Silly Season"
The annual rumors
surrounding Formula One teams and their drivers are generally
referred to as part and parcel of the "silly season." Lancia
has not played in Formula One since 1955, when it pulled out after
the death of driver Alberto Ascari (and donated its remaining F1
D50s to Ferrari); yet our own F1-inspired "silly season"
follows.
"Blemishes" imply
a certain quirkiness - and Lancia's quirkiest contemporaries are
Citroën, Maserati, and Saab. All four are European manufacturers that have,
in modern times, had difficulty achieving the
heady heights their heritage has set for them.
"The French firm
Citroën launched its all-steel saloon in 1928," notes Sparke
- ten years later than Lancia! Citroën would go on to innovate for
decades. Both Lancia and Citroën
were great pioneers whose creativity has been progressively more
stunted over the past ten years and who are both at various stages
of recovery. Citroën has even played a
dangerous value game, particularly in the UK market, over the past
decade.
Citroën tied-up with
Maserati to produce the
SM,
and the Citroën-engined
Quattroporte II. Citroën
also tied-up (if to follow their agreement with an abrupt dismissal)
with Lancia in 1970, as noted earlier, to engage in producing the
Gamma.
Could Fiat ownership of
Maserati be enough to pull a few strings and produce a
Stratos
based on the current Maserati
Coupé? Stranger
things have happened; the Lancia Stratos borrowed its drivetrain
from the Ferrari Dino 246 GT
(as did the Fiat Dino),
and the late, great Thema 8.32V
received a Ferrari engine!
Could something great
come out of the Lancia Phedra,
with Citroën's ever-returning technological prowess being part and
parcel of the PSA-Fiat alliance that has built it?
And what of Saab? "Fiat Auto of Italy and Saab-Scania of Sweden
are close to announcing a merger of their Lancia and Saab automotive
divisions. A Lancia-Saab grouping could make Fiat Auto the largest
luxury carmaker in the world by unit volume," Automotive News
reported on November 13th, 1989!
Of course, this never
happened.
Yet GM now owns Saab, as
well as 20% of Fiat Auto. Both Saab and Lancia are front-wheel-drive
pioneers (along with, most notably, Renault); both have famously
used turbos, and Saab's wind-swept styling is sufficiently distinct
from Lancia's more upright stance.
Lancia's Thema
was based on a platform produced in co-operation with not only Fiat,
but PSA and Saab.
Lancia's Delta
was once even rebadged (albeit misguidedly) as the obscure
Saab 600
in Sweden. Could a tie-up happen, here?
Lancia must return to the UK
In October 1969, control
of Lancia was passed on to Fiat, who set about modernizing the
range. The stop-gap 2000,
a re-named and bored-and-stroked
Flavia, would be
replaced by a new line of sedans, coupes, and
HPE
(high performance estate) models named
Beta.
Full of initial promise,
Beta
would be the most memorable (if exaggeratedly so) cause of Lancia's pull-out from the British market in
1993.
The reason? Rust problems that
condemned cars as new as a few months. The company never
recovered from that fiasco, despite fascination across Europe with
its phenomenal
Delta Integrale.
That Lancia shared a British importer with Suzuki did not help.
Despite Lancia's early
predilection for right-hand-drive, it was all over for the marque in
Britain. However, the influence of the British automotive press
being what it is, Lancia's return to the Isles should be a top
priority.
We have reserved the
inevitable question of many of our readers for last: could Lancia return to the U.S?
As far as we can tell,
Lancia has never moved more than 7% of its annual production in the
U.S. market - and that was back in 1959, imported by Hoffman Motors and J.S.
Inskip. By raw numbers, Lancia sold the greatest number of cars
Stateside in 1977 (5,500), less than a tenth of Fiat sales that
year.
Things could have been
different. It is a
little known fact that, in 1927, plans were actually made to produce Lancias in the U.S. Mike Covello writes for the Standard Catalog
of Imported Cars, 1946-2002 (Krause, 2002) that, "Lancia
Motors of America was formed, and displayed prototypes at the New
York Importers Car Show.
"The program
collapsed, however, proving to be more of a stock-manipulation
scheme than an honest stab at American production." As for the
prototypes? They became the 1929-1935
Dilambda.
In its current state, Fiat Auto is in the process of rebuilding.
Alfa Romeo, its strongest brand financially, has delayed its U.S.
return indefinitely; it is unlikely that Lancia will see America for
the next decade, at least.
That said, we look
forward to a revitalized Fiat finding the wherewithal to revitalize
Lancia. The great brand has contributed elegance and innovation to
an industry which would be a less colorful - and perhaps quite
different - place without it. Here's to the next 100 years!
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